Sunday, January 10, 2016

Incheon as Captured by the Sony A6000 with Sony 28-70mm f/3.5 Lens

Come New Years Day, my Sony A6000 was still mounted with a Sony 28-70mm f/3.5 lens, the standard kit lens that comes with any of the Sony A7 line of cameras. I wanted to see exactly what this lens is capable of, so, I put no other lens in my bag New Years weekend.

I was quite hungover after the New Years Eve Party that I DJ'd and photographed but managed to muster enough motivation (after a meal of delicious and spicy Korean bone soup and a good nights sleep) to head out to several locations in the city of Incheon. My fist stop was Wolmido, where the US Army and Marines led by General MacArthur, made their infamous landing which changed the course of the Korean War. It is now a  favorite tourist spot compilete with amusements and restaurants. It's an area of ripe photographic opportunities, as you will see below. 

My day also included visits to Wolmido Mountain top Observation Platform (albeit on a hazy day), Incheon's infamous Chinatown and Jayu (Freedom) Park.

A full day of photography really allowed me to put this lens through it's paces. Is it as good as the Zeiss 24-70mm f/4 E Mount lens? No, however, for a kit lens, it holds it's own and produces sharp images with beautiful color. Enjoy the photo gallery!














































Follow Up - Sony A6000 with Sony 28-70mm f/3.5 Lens and Sony HVL-F20M Flash

I recently posted about my camera and lens selection for a New Year's Eve Party I was to photograph and went into the reasons why I ultimately chose the Sony A6000 with the Sony 28-70mm f/3.5 lens, which is actually the kit lens that comes with the Sony A7 line of cameras. I paired this combo with a Sony HVL-F20M external flash. Below you can see some of the results and my thoughts. Scroll down even further and you'll find links where you can buy the A6000 and/or Sony HVL-F20M flash.


Sony A6000 with Sony 28-70mm f/3.5 lens and Sony HVL-F20M external flash.

A few remarks about the Sony HVL-F20M external flash. I really like the simple design of this flash. From the way it powers on to the simple flip-of-a-switch method for changing the flash to "bounce" mode. To turn the flash on, you flip it up from a horizontal position to a vertical position. The is a fast and easy way to turn it on. No mucking about trying to push a button. The same goes for positioning the flash to bounce the light off of the ceiling. There is a switch on the side of the flash that just slides into the "bounce" position. Too easy.


There was definitely a sweet spot for the flash, about 6-10 feet from the subject was ideal. Any closer that 6 ft and my subject would be blown out, any further and the flash was too weak.


This shot was taken WITHOUT the flash, as long as the subject wasn't moving and there was a little ambient light, the results were good.


In the pictures above and below, you can see the flash and camera work well together in that 6 to 10 foot sweet spot.




Above: DJs on stage. This image is taken with the flash. The flash has added light to the stage lights and resulted in a nice exposure.


Here we see a photo with the flash from about 4 feet, still ok but a little harsh. Still acceptable.

Overall, I was quite pleased with this camera, lens and flash combination. I did not bring my best lenses because, as I mentioned in the previous blog post, I didn't want to bring my best glass to a party like this where there was a chance of someone spilling their drink on my gear. 

The Sony 28-70mm f/3.5 lens holds it's own against more pricey offerings. Still, with a Zeiss 24-70mm f/4 having been recently added to my inventory, I will put this lens (Sony 28-70mm) for sale because it pretty much overlaps with my new 24-70.

Buy yourself a Sony A6000. I HIGHLY recommend this camera for enthusiasts, amateurs and professionals.



Here is the link to buy a Sony HVL-F20M external flash.

Thursday, January 7, 2016

Why I Switched from Sony DSLR to Sony Mirroless

It's hard to believe, just 3 short years ago, I came to South Korea armed only with a Sony Bloggie for a camera. I came to Korea on assignment with the US Army and have been stationed at Camp Casey ever since. But it wasn't until 2014 that I took the job as Unit Public Affairs Specialist and started shooting photos nearly full-time. But when I did, my passion for photography was reignited.

I was a professional photographer for 8 years prior to joining the military. Joining the military was a radical change in lifestyle and part of that change included turning the page, leaving all traces of my old life behind so that I could learn and do something completely new. But I guess time will always tell the truth and in time, my love of photography was again in the forefront of my life.

The Sony Bloggie, while convenient and fun, was limited as far as quality and versatility, and if I was going to shoot photos for the army I was going to need better gear. The army does not provide cameras at the Battalion level for their Unit Public Affairs Representatives, only the Brigade Public Affairs Specialists (and higher) get their hands on gear supplied by the army. This fact was ok with me for a few reasons. Firstly, my Brigade was still using older Nikon crap and secondly, I prefer to use what I like. I refer to it as "Nikon crap" only half jokingly because when I was getting paid to shoot photos I was shooting with a Nikon, however, I was never really satisfied with Nikon products overall so I decided I would give Sony a try. 

I started out shooting with the A33 which was a nice little 14 megapixel DSLR with interchangeable lenses. I chose this model because it was cheap and good and I wanted to check out Sony's performance at the lower end of their DSLR line up before spending more money. I was really impressed with the image quality of that little camera, so I quickly bumped up to the similar A35, then the A55, A65 and finally the A77 and A99. One might be able to say that I became intimately familiar with the Sony Alpha DSLR line up, having owned nearly every model they had to offer.

It was around this same time in 2013 that Sony introduced their A7 and A6000 mirrorless cameras and boy did they ever make a splash (and still are). The absence of a mirror in a digital camera allows the camera body to be designed much more compact and lightweight. 

There are a myriad of specifications that mirrorless cameras can be compared to with DSLRs but the bottom line for me is what matters and my bottom line reasons for switching are as follows:

- Quality images. I have included a few sample images at the bottom of this blog post. My first mirrorless camera was the Sony A6000, I was immediately blown away by the image quality that this compact camera produced, even in low light situations at higher ISOs. The image quality matches or surpasses the A77 and A99 DSLR and the A7R and A7II are even better.

- Super fast shutter. The A6000 shoots at 11fps when in continuous shooting mode. This is really, really fast. The A7R and A7II cannot match this speed, neither can the A77 or A99, so when I am shooting sports or fast action, I reach for my A6000.

- 36 megapixel A7R. The Sony A7R is the best camera in my inventory, in fact, it is the best camera I have ever owned. The image quality is superb, second only probably, to the new Sony A7RII at 42mp, however, I can't afford to shell out $2,300 USD for that camera. I was, however, perfectly happy to pay $950 USD for a really nice used A7R, which normally sell new for around $1900.

- Size and weight. My camera bag packed with 2 of my Sony mirrorless cameras and lenses is about HALF the weight when compared to my camera bag packed with 2 Sony DSLR cameras and lenses and this makes a world of difference when you've got a bad back like mine. Why lug around all that extra weight when you don't have to? Taking it a step further, I even bought a beautiful and handy Sony RX100 IV, perhaps the world's best pocket camera. It captures 24 megapixel images, the same resolution as my massive Sony A99! It features a Zeiss 24-70mm f/1.8 lens and simply produces stunning images and will literally fit into a shirt pocket. Wow.

What will I miss most about my Sony A Mount cameras, the A77 and A99? I will miss them for the same reason I am switching to the smaller, lighter weight mirrorless offerings, their robust size and build. Shooting photos for the army, I often times find myself in austere environments, dust, dirt and bumpy rides in a Humvee. The Sony A77 and A99 gave me confidence due to their size, weight and build. They also have a flip-around LCD screen (which the Sony mirrorless cameras do not have) so I never had to worry about scratching the screen while wearing my army gear and running around shooting photos. But now that I will no longer be doing that job, it's not a concern for me.

And finally, there was just no logical reason to keep an inventory that large which basically overlaps. I have all the equivalent lenses for my E-Mount cameras that I do for my A-Mount, save for a few specialty lenses like my Sony 16mm fisheye, which I will continue to use via the Sony LA-EA4 adapter.

Nothing lasts forever in this world and I think being able to part with material things is an excellent discipline to master, therefore I must say goodbye and thank you to my Sony A Mount cameras and lenses and welcome a new chapter in my photography journey.


Pictured above: (L to R) Sony A7R with Sony Zeiss FE 35mm f/2.8 prime lens, Sony A7II with Sony Zeiss FE 55mm f/1.8 prime lens and vertical battery grip, Sony RX100 IV, Sony A6000 with Sony FE Zeiss 16-70mm f.4 lens.


Pictured above: Sony A99, Sony SAL 70-200mm f/2.8 G lens, Sony Zeiss 24-70mm f/2.8 lens, Sony SAL 28mm f/2.8 lens. This package just sold  for $3,900 USD.


Pictured above: Sony A77 with vertical battery grip, Minolta 70-210mm lens, Minolta 28-85mm lens, Sony flash and external microphone plus shutter release cable.

Below - sample images captured with Sony A7II with Zeiss Loxia 50mm f/2 lens




Below: the author with a variety of Sony cameras...


Above: I believe I have the Sony A77 in my hand.


Shooting with two Sony A35's at the Seoul International Marathon.


Again, two Sony A35's.