Showing posts with label minolta. Show all posts
Showing posts with label minolta. Show all posts

Tuesday, April 6, 2021

A Fine Spring Day in South Korea - Photo Gallery

 


I used to say that fall was my favorite season of the year, but being back in Korea in time for the start of spring, reminds me of just how special spring really is. Rain had been forecast for the entire weekend and I had resigned myself and my cameras to the fact that I would be stuck indoors on both of my days off, but the weather gods shined their light on South Korea and the skies cleared for what turned out to be an amazing and fun day of photography all day Sunday.

I packed my camera bag with my Sony A99 and several lenses of varying focal lengths from 28mm (wide angle) all the way out to 135mm (telephoto), however, it was the 28mm wide angle lens that stayed on my camera for the vast majority of the day. Only a scant few of the images below were shot at a focal length other than 28mm and I will annotate those.


The Minolta AF 28mm f/2.8 lens is a vintage lens (originally released in 1985) and like many of the Minolta A Mount vintage lenses, can be had for very little money. As of the writing of this blog post, there's one available on Amazon for $59.95 USD!


Our first stop was Herb Island, a botanical garden and park located near the city of Pocheon, South Korea. It labels itself as an amusement park but that is just a bit of a stretch. When I think of amusement parks, I think of rides, rollercoasters and other typical attractions that you might find at a typical amusement park. That's not to say that Herb Island isn't worth the price of admission (about $7.50 USD), but it's just not what I would consider an amusement park. It's more of a garden than anything else. I should mention, the restaurant is quite good and I am fairly certain that all the spices and herbs used to season and garnish the plates are grown on the property.

All that being said, the photographic opportunities were infinite! In fact, I think that it would be safe to say, that Herb Island is in fact, a place where people go spend the day SPECIFICALLY to take photos of themselves, family and friends. There were a lot of "photo spots' set up around the grounds but aside from that, as a photographer, there were an endless amount of plants, flowers, water features and other cool stuff to capture. 

We started in the botanical garden...






There were even plenty of colorful displays to take photos of in the gift shop.

We traveled by bus back towards home (Camp Casey, South Korea) and as we approached the area of Mount Soyosan, a popular and picturesque mountain hiking trail, we realized that we had plenty of day light left. I still had a little bit left in the "gas tank" even after an already long day of walking and shooting, so we decided to jump off the bus at the Soyosan train station and walk across the street to the foot of the mountain and the trail head.

I had visited Soyosan a couple of times the last time I was in Korea (2013-2016) but had never actually ascended to any of it's peaks. But Sunday turned out to be the day and it wasn't easy. The sky was clear, with a few clouds out West towards the horizon and I definitely had a sunset composition in mind. As we started getting higher and higher in elevation, I began look back over my shoulder from time to time to see if I could frame a sunset photo but I had to keep climbing higher and higher to get above the tree line. There were some potential compositions at the foot of the mountain, where the creek runs through the cherry blossom trees, which are currently in full bloom, but none of the framing I could picture would highlight what I wanted to highlight, which was, of course, the sunset.

The climb up to the top of Soyosan is NO JOKE, it will burn your achilles, calves, quads and hamstrings. I had to get up the mountain with urgency because the sun was rapidly going down. I looked up and the imposing mountain, I looked back at the sun, continuously gauging how much time I had before I would lose the sunset. I'm not going to lie, I was hoping that I would find a nice view for my sunset shot without having to go all the way to the top of the peak, not just because I was so tired, but also because I needed at least a couple minutes before sunset to get my tripod and camera set up, not to mentioned I didn't know which lens I was going to use. I kept going up.

The peak is located at an elevation of 558 meters, but time had run out, I had to find a spot to set up, thankfully, at 510 meters, there was an excellent window through the trees and foliage, so I made the decision to not risk going any further for fear of not making it in time to get my photo and I set up.


I tried a couple of focal lengths but the above image, shot with a Minolta 135mm f/2.8 lens ended up being my favorite. It just captured the awesomeness of the sunset, the brilliant orange color and the warm feel more so than the 50mm which I used below. I thought I wanted to capture some of the foliage but it just didn't work out, so I ditched the 50mm and went with the telephoto.



Above: a nice view of how it looked from my exact perspective.
Below: looking back at the trail, it seems to just disappear into oblivion. 



The above photo depicts my other option for a sunset photo. While it is picturesque, I just felt compelled by some unknown force and motivation to hike up the mountain for my sunset shot.

After the sun went down, we made our way back to the trail head where there are a number of excellent restaurants to sit down (I was definitely ready to sit down) and eat. we opted for spicy Korean chicken with beer and soju, which was a nice way to end our long, but enjoyable day of photography.

Enjoy the rest of the photo gallery featuring more photos taken at Herb Island.















Tuesday, February 16, 2016

Minolta 100mm Macro f/2.8 on Sony A7II with LA-EA4 Adapter

One of the few A mount lenses I kept to use on my E mount mirrorless cameras (having sold ALL of my A mount cameras) is Minolta 100mm Macro f/2.8 lens. Admittedly, I haven't shot very much macro photography, if at all, but I really want to shoot more. I know I have a lot to learn in this area of photography. But one of the things I do know, is that you either need some macro extension tubes OR a really good macro lens.

For those of you who don't know, macro lenses allow you to focus for extreme close up shots. This is used a lot to photography insects, flowers etc.

I sold nearly all of my A mount lenses when I switched over to mirrorless digital cameras exclusively, but this Minolta survived the cut.

I was watching "Das Boot" for about the 40th time tonight, had buried my sorrows in a tub of Baskin Robbins Chocolate Chip ice cream and was generally bored. One of the luxuries of owning a sizeable inventory of cameras, is that I am never at a loss for a photography subject. So, I grabbed one of the all time classic cameras, the Leica M3 and dropped a simple, one light set-up so I could capture some sample shots with the Minolta Macro lens.

As you can see below, the results are impressive. Consider this, all photos were taken HAND HELD using only one small LED light. Imagine the possibilities when it's done right, with a tripod and plenty of lighting!

Naturally, you'll want to use manual focus when shooting macro but just for your peace of mind, the auto focus works flawlessly with the LAE-EA4 adapter.


Sony A7II with Minolta 100mm Macro f/.28 lens and Sony LA-EA4 adapter


Close up of a Carl Zeiss Lens Hood on a Zeiss Planar 50mm f/2. lens.


Film advance lever and shutter speed selection dial close up.

 

The classic Leica M3 double stroke.


Friday, August 14, 2015

Konica Minolta 17-35mm f/2.8 - A Good Alternative to Sony Zeiss 16-35mm f/2.8

I have been searching high and low for a solution to my wide angle woes. I started out with a Sigma 16-35 something or other and that sucked donkey balls. Then I picked up a Tokina 11-16mm which is ok but it's not full frame. So then I tried a few Minolta's including the 28mm and the 20mm, the 20mm being the better of the two but not a stellar performer.

I've been trying to avoid spending $1500 on the Sony Zeiss 16-35mm, I just can't continue to buy thousand dollar lenses. Which is why I was truly relieved to find the Konica Minolta 17-35mm f/2.8 full frame lens.

I bought this one used for around $300 and it is in excellent condition. I just got it today and only had the chance to shoot a quick photo of my little office area in my army barracks room. More to come...




Thursday, July 30, 2015

This is What a Light Leak Looks Like - First Roll Minolta SRT-201

UPDATE:

A big thanks for all the advice, suggestions and knowledge from a number of members from the "Film Photographers" Facebook page. After reading the below blog entry several of them identified the problem not as a light leak as I originally thought, but it was more likely a scratch either from the camera or the lab that processed the film. I have used this particular photo lab many times, so I'd have to think the scratches are coming from the camera. I'll give it an inspection and a cleaning and put another roll of film through it. If the scratches still appear, I'll take the camera down to the repair shop.

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Original post...


One of the main concerns when purchasing a vintage film camera, especially on sites like eBay, is whether or not the camera is in complete working order. Take this Minolta SRT-201 for example. Aesthetically it looks to be in great condition and everything, including the light meter is working, however, when I got my first roll back from the photo lab today I noticed a couple of white lines running left to right across the length of the images. On some images it is more noticeable than others and on one or two, there aren't any white lines at all. The problem? A phenomenon known as a "light leak". 

The edge of the back panel on most film cameras has a thin foam strip that keeps light from getting in. Due in most part to the age of these cameras, the foam strip can deteriorate and not form a complete seal, thus allowing light in which will be seen in photographs, just like you see in the pictures below. The way to correct this is to replace the light seals. Fortunately for me, my shooting buddy and co-host of http://www.HeyDontShoot.com Turner, has replaced light seals on a few of his own vintage film cameras and corrected this problem. So, I'll be taking this particular camera over to his house later and see if we can't correct the problem, stay tuned!


Minolta SRT-201


Notice the white line along the bottom of the images. Some images also have another white line near the top of the image.