Thursday, May 7, 2020

Modeling in El Paso - By Tanya Ariel Torres



The public sees a model’s photos online and in magazines, they even watch them at fashion shows or a public photo shoot, but all they see are glimpses of these moments. When it comes to modeling, there is more to it than sitting around and waiting for your photo to be taken. The models must learn how to pose their body, face, know their angles, be camera ready, learn to walk, know how to market themselves and so on.



Modeling in El Paso has always been around, but it was not until a few years ago when it became more popular and widely used in the city. Before the lock down happened in the city, you could find photographers and models shooting practically everywhere around the "Sun City" area. Modeling in El Paso is a lot easier because of how popular social media has become which has allowed more places to need and hire models for their businesses.


Agencies

Working with an agency can really help connect a model to other opportunities that could even lead to paid gigs. When a model signs with an agency, they have the chance to attend modeling school where they learn about posing, the model walk, makeup, working with photographers, preparing for a shoot and so on. Although signing with an agency can hinder what types of shoots and events models can attend to add to their portfolio and it can (in some cases) come with a hefty price to be signed, these agencies can help the model improve their skills and help them for future events like pageants. These agencies can also provide an insight of future events that will help build the model’s portfolio and the best photographers to work with in the city.


Here are some of the top agencies in El Paso:

Ragazza Bazaar Modeling Agency
Ragazza first began as a fashion boutique and styling service for bloggers and fashionistas in 2011 by Nancy Contreras. However, Contreras decided to pursue a modeling division in 2015 that provided training and development for aspiring models and later added pageantry to it too. Ragazza promotes models via runway, photography, promotional events and digital campaigns.

FLY Events Promotions
FLY Events Promotions was founded by Brandy Wyche who began FLY in 2016 to help create diversity in modeling. They showcase local designers, retailers and businesses, promote short/tall, plus sized models, older models, models with tattoos and so on. They believe in a different kind of beauty and about embracing one’s flaws rather than focus on the standard kind of beauty.

Bazaar Modeling Agency
Bazaar has agencies in El Paso, TX., Albuquerque, NM., Santa Fe, NM., and Juarez, Mexico and was opened in 2009. They provide modeling workshops, consultations, portfolio building, helping models gain opportunities in commercials, fashion runways and so on.

Laura’s Productions
Laura’s Production is run by Laura Rayborn who has been in the modeling business for over 20 years. She offers modeling classes, pageants, pageant training, classes while helping the aspiring models increase their self-esteem.

LAT Studios
Latin American Talent began in 2005 to help aspiring models and actors with their career goals by offering professional training. LAT also extended help for aspiring dancers prepared for dancing with performance training.

Sun City Pageants
Sun City Pageants was created by Marco Alvarado in 2016 and offers modeling training and pageants for those who desire to compete in pageants. These pageants offer a way for anyone to compete in a non-political pageant that offers 4 areas of competition: fashion, evening gown, interviews and photogenic.



Pros of Modeling

Publications
Doing work for a magazine can be a lot of fun and can lead to more shoots that may even lead to more paid ones too.

Meeting New People
Modeling not only allows the model to meet new photographers and models, but they also meet other kinds of people that are involved in this line of work too. Networking and connecting with people can open doors for anyone which is why it is always nice to meet new people.

New Experiences
Modeling is unlike any other type of job because the models are doing different types of things every time they go out for a gig. They might be modeling as a mannequin for the day or they may be promoting a new store, walking the runway, shooting a donut commercial or more.

Free Stuff
Sometimes modeling gigs can lead to free stuff, but do not always expect that to happen. Although it would be nice for the model to be paid for their time or be given free items, that does not mean that it will happen. However, when it does happen it is important to be grateful for that because it is a nice gesture to appreciate.

Paid Shoots
Modeling can lead to paid gigs and those kinds of gigs are very cherished by the models because it makes them feel as if they are worth something to the person who is paying them for their time. 

(Editors note: local models who wish to pursue a full-time career may consider moving to a larger metropolitan city such as Los Angeles, Miami, New York etc where there is a higher likelihood of finding paid gigs. However, as El Paso grows, so will the chances of finding paid modeling jobs locally.)





Cons of Modeling

Unpaid Shoots
Modeling does not always pay the bills, especially when the model first starts out. It does not mean that the model will never get paid for their time and work, but it does mean that the model needs to build their portfolio and be confident in their work to finally charge for shoots. 

(Editors note: As a rule of thumb, an established, experience model should expect, as asked to be paid for her modeling, when contacted by a less experienced photographer who is looking to build his or her portfolio. The flip side of that is that a less experienced model, should expect to have to pay a more experienced photographer so that she can build her portfolio with high quality images. Trades should happen when the level of talent and experience are relatively equal from both the photographer and model. Less experienced models, although they are in need of images for their portfolio, should research a photographers work to insure that it meets the standards and quality they are looking for. The last thing you want as a model, are bad images of yourself published for all to see that you took just because they were free.)
  
Unpredictable Hours
Photo shoots and other modeling gigs take up a lot of time and can be unpredictable which is why it is important for the model to remember that they need to plan for shoots and not to overbook.

Being Judged
When a person puts themselves out there in public, they may experience people judging them for the type of shoots they take or they may even be criticized for their body, how they look or who they love. Modeling can be tough because the model will constantly be fighting with their own insecurities unbeknownst to the public and then they will have to deal with an outsider’s perspective of themselves on top of that too. This is one of the hardest parts of modeling, but once a model stops caring what others think of their work and focuses on being happy with themselves as a person then everything gets easier after that.

Bad Experiences
Modeling may have its ups, but it sure has some downs. For example, occasionally a model will meet a photographer or agent who is rude and disrespectful toward them. This can happen anywhere, but it is important for the model to always take a friend with them to a shoot and to never go alone to avoid bad and scary situations.



  
Tanya Torres is a content writer for Brian Burds at Century 21 who has written several publications as a freelance writer for KISS-FM, Fusion Magazine, El Paso Times and many more.

Some photos taken during El Paso Fashion Week 2017 and others from the Mercedez Benz El Paso Fashion runway show 2016 which is not associated with El Paso Fashion Week / Lijuro Productions.

Wednesday, January 1, 2020

Sun Bowl 2019, Arizona State vs Florida State


Tony the Tiger had the honor of flipping the coin for the 2019 Sun Bowl
featuring Arizona State versus Florida State

The days business starts hours before the game for those of us working behind the scenes at a major sporting event such as the Sun Bowl. For a photographer, it begins the night before, charging batteries, cleaning lenses and digital sensors, packing your laptop and gear in the bag, even deciding the appropriate attire based on the weather. The forecast predicted cool temps, with sunny skies, so I opted for an athletic, sporty and layered ensemble. Shorts underneath warm up pants, long sleeve shirt underneath a short sleeve shirt, topped off with a zip up hoodie and vest along with a beanie and cap that I could switch back and forth between depending on how cold my ears were (I don't like my ears to be cold).

Arriving early to the stadium is essential for several reasons; firstly, the photo trailer is smallish with limited desk space which is unreserved, first come first serve. Unlike in the press box where journalists have reserved desk space, the difference being that the textual journalists are there to write about the game, whereas us photographers will spend the majority of our day getting our steps in, on the field and around the stadium, only needing desk space occasionally, to upload our images to our respective publications. Secondly, and far less important, is to secure a good parking space. It is true that we photojournalists get parking passes in one of the prime parking lots, but it's still the best policy to arrive early for good parking. (Isn't that true for any similar events?) And lastly, I like to arrive early to capture images before the fans arrive, when the stadium is generally empty. There's a palpable calm before the storm and I like to try to capture that blend of eerie emptiness and the feeling of anticipation in some of my images.

(Continued below)


Pictured above: this is a relatively light kit for me for a sporting event. In the past I would carry a heavy bag, with several lenses and battery packs. But recently I have preferred to carry the smaller, lighter Sony mirrorless bodies and APS_C sensors due to their longer reach (crop factor 1.5). I mounted a good spectrum of lens options and did not bring any other lenses other than what was already on the three camera bodies I brought along. Pictured left to right: Sony A6300 with Sony G 18-105mm. Center, Sony A7II with Sony 16mm fisheye lens, Sony A77II with Sony G 70-300mm lens.


Ace Acosta, of the El Paso Herald Post at his work station in the Sun Bowl photo trailer.


Armando Vela shows off his new "big dawg" telephoto lens, the Canon 300mm f/2.8


Myself (right) and my good friend David Davis who was shooting the halftime show/


The view from the press box.

As game time nears, the team buses arrive, announced by the unnecessary wailing of police sirens, fans have begun their tailgating traditions, marked this year by fire pits which most are huddled around in an attempt to keep warm. Some have already begun tossing their first ping pong balls into plastic cups filled with beer. I never understood the concept of beer pong. Can't I just get straight to drinking the beer without the pong? 

Ah, then there's the smell of the ribs on the countless grills, the hickory BBQ smoke rising and dispersing through the air like the unmistakable aroma of a football game tailgate. My good friend and local photographer, David Davis and I, take a long walk around the exterior of the stadium to find what we can find, taking in the sights and sounds along the way. Ivan Aguirre of EP Visuals stops and offers us a ride in his Sun Bowl provided golf cart, which, as the official photographer for the Sun Bowl Association, he is entitled to (a handy perk no doubt). We head up to the fan zone but find it a little dead, but at least we enjoyed a free ride in the golf cart. But now, game time is rapidly approaching...

(Continued below)



A Florida State football helmet. The Arizona State helmet is absent as I had arrived 3 seconds after their equipment manager ran off with it. However, I managed to catch the Florida State guy and politely asked him if I could get a quick shot, to which he replied in the affirmative.


A view of the 50 yard line and Sun Bowl logo as viewed from the seats.


The Arizona State team buses arrive at the Sun Bowl along with their police escorts.




No better way for a child to get to the stadium than on dads shoulders.


Ivan Aguirre of EP Visuals was nice enough to stop and give us a ride


Armando Vela totes around his new Canon 300mm f/2.8 lens.



David Davis walks down the tunnel leading to the field, flaked by local concert photographer, TIm Schumann, who was on hand to shoot photos of the halftime headliner, the rock band P.O.D.



It was an exciting game, won by Arizona State by a final score of 20-14. The game started with two fumbles and a blocked kick in just the first three minutes of the game! I'm not going to lie, the best part of having a press pass to sporting events is having the "best seat in the house" (although the only time I sat down all day was to eat my Chic fil A chicken sandwich (I took off the pickles). 

And it is from the point forward that I will let my images tell the rest of the story. After all, this is a photography blog, which I interpret to mean that you are primarily here to view my images, not read my words. After all, I was on the field snapping photos, not up in the press box taking notes and writing words.

Enjoy the photo gallery. The photos are not in chronological order.

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And if you're interested in buying my prints you can do that right here https://felixgphoto.smugmug.com/








Arizona State head coach Herm Edwards


 Ivan of EP Visuals













A videographer from Arizona Atate appears to be shooting video with a Sony FS5 and 18-200mm








Mark Lambie of the El Paso Times








The halftime entertainment was provided by the rock band P.O.D.













David Davis


Mark Lambie



David Davis



Visit El Paso mascot, Amigo Man!


David Davis



This is the moment where I also got crushed by 4 football players.


David Davis and Armando Vela














David Davis and Tim Schumann









For the coin toss, I got down low, basically on the ground with my fisheye lens. Mind you, I wasn't down on the ground by choice necessarily. Every single press photographer at the game is jockeying for a position to be able to shoot the coin toss. Thanks to my military training, I knew to get down low and crawl to an opening. I was basically on the foot of the referee nearest me. But, it made for a dramatic angle, don't you think?







David Davis



This police Sergeant was all business













































THE END